"The Clash of Visualizations: Counterinsurgency and Climate Change". Forthcoming in Social Research. Not for Circulation or Citation without Permision.

“The Sea and the Land: Biopower and Visuality from Slavery to Katrina,” Culture, Theory and Society, vol. 50, no. 2, (2009): 289-30.

“War is Culture: Global Counterinsurgency, Visuality, and the Petraeus Doctrine,” PMLA , special issue “War,” edited by Diana Taylor and Srinivas Avaramudan. vol. 124, no. 5, (2009): 1737-1746.

“Invisible Empire: Abu Ghraib and Embodied Spectacle,” Visual Arts Research, vol. 32, no. 2 (Issue 63), 2006: 38-42.

“On Visuality,” The Journal of Visual Culture, vol. 5 no. 1, (2006): 53-79.

“Invisible Again: Representations of the Genocide in Rwanda,” African Arts , vol. XXXVIII no. 5 (Autumn 2005), 36-39, 86-91, 96

“The Empire of Camps,” in Feride Cicekoglu (ed.), 9-11 Istanbul-New York (Istanbul: Homer Kitabevi, 2003), 68-83.

“Newspapers,” Art Journal (Summer 2003), 22-24.

“Ghostwriting: Working Out Visual Culture,” The Journal of Visual Culture, vol. 1 no. 2, (2002): 239-54.

“Revolution, Representation, Equality: Gender, Genre and Emulation in the Académie Royale de Peinture et Sculpture, 1785-1793,” Eighteenth-Century Studies, Vol. 31 no. 2 (1997-98): 153-74.

“Body Talk: Deafness, Sign and Visual Language in the Ancien Régime,” Eighteenth Century Studies Vol. 25 no 4 (Summer 1992): 561-586.